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Fulbright Scholar stories

Joan Fabian, Adjunct Instructor, San Antonio College
Lecturing and Research: Art, Art Teaching in Pakistan
August 2000 - December 2000

 

Dancing at a friend's wedding/ Medhindi. Dr.Marcella Sirhandi is in the photograph on my right. She is also a Fulbright Scholar who was in Pakistan during my stay.

I traveled to Pakistan to lecture and create new artwork in the city of Lahore on a Fulbright Scholar Award for a period of four months. I taught a fourth year painting class and graduate students at the National College of Arts (NCA) there. It was a happening place for the art scene in Lahore, which is full of creative activity, culture and lots of movement. By movement I mean the street traffic as well as the art. Cars, trucks, bikes, rickshaws, people (with lots of items balanced on their heads), animals, donkeys, horses, and camels all move in their own order and not within the painted lines on the street! Even though there are billboards telling everyone to stay in their lanes, many ride the white line to their own beat. You can imagine the congestion and pollution all this activity created. My friend Awais always drove on the white line and had his Bollywood music playing to give our ride a pulsating theme song. At first, the traffic and the appearance of chaos to a westerner like myself seemed to mean we would be in an accident shortly. I quickly realized that there is a certain rhythm and order to this chaos. Though many times it was a close one, hardly ever did I see a collision or anyone get angry. It was standard flare and part of the lifestyle of these Lahorians. I began to look forward to a quick drive in a car either with Awais or my hired driver, Arthur. It was like playing a video game without a joystick! Not for the weak of heart!

The rhythm of the NCA was not as fast paced as the traffic but had its own style none-the-less. I really didn't expect to have such royal treatment when I critiqued student artwork as I did. Often, I was given tea by students and had my chair moved around the room as I got up to discuss everyone's artwork. Back home in the States I was lucky if a student ran out to a vending machine to get me a Coke-if I asked for one. Having tea was a popular pastime that invited discussion and reflection as well as a "getting to know you" opportunity in Pakistan. I had lots of "teas" and many "high teas" too. The temperatures were well into the 100's but everyone continued with the hot tea-I quickly got used to it, forgetting the ice tea of Texas of which I am used to and looked forward to having it hot just as any one in Pakistan did.

The opening of my exhibition at the National College of Arts entitled "Swirling Notions". Taking the honors of cutting the ribbon and guest of honor is principal of the school, Saijda Vendel with Bashir Amand (Master of Miniature Painting). I am on the right behind the principal.

NCA was celebrating its 125th year anniversary and I attended many activities in conjunction with this. A wonderful Qawwali singer by the name of Abida Parveen came to perform and it was the best musical experience I ever had. Her voice was so beautiful and inspired everyone to tears and wonder as she played on in the late hours of the evening as we sat on pillows in the school's courtyard. Also, an art education conference was held where many educators and artists came from all over the world to share ideas in the teaching of art and architecture. I shared my insights on cyber technology in the arts classroom and how the internet can open doors for the creative artist. There was excitement in the air over the anniversary events and parties everyone seemed to be having. If I took up all the invitations I got I probably would still be there now.

My schedule was very hectic and fast-pasted, and I thought Pakistan would be a slower-paced place! But I loved plunging in full force into the motion of things there. Students were taking me to see there work here and there, even if they were not in my class, many were excited about me being there and that was special for me. I couldn't help but get very excited about the student's artwork because it was produced by much energy and drive that I was impressed. Many of the students and teachers seemed like old friends that I had met in a previous life and we were just waiting to get together again. I felt very connected with all the frenzy at the school and couldn't imagine not taking part in every aspect possible. This inspired my own art and I found myself getting materials from the bazaars such as fabric, silk thread, stickers and small mirrors to put in my
drawings and paintings. Students gave me odds and ends that they felt would inspire me and I created a new body of work consisting of over 20 paintings and drawings!

One of my works of art done during my stay in Lahore. The title is "A Pepsi Thing". Watercolor, collage and graphite on paper.
(15" x 21")

The images from American culture were everywhere in Pakistan. The Pepsi logo was on everything and it was interesting to see how it is a status symbol for some of the people there, especially the young ones. I found it to be a juxtaposition of America's influence and how strong this was on a culture so rich in tradition. But what was stronger was the hospitality that I found in Pakistan. The people are very warm and friendly. Many people invited me to their homes for dinner or parties. Students as well as colleagues opened up their homes so that I could meet their loved ones and feel some love too since I was away from my home. I was invited to a wedding and danced at the Medhindi to everyone's delight. I never felt alone in Pakistan, there was always someone who called and invited me out. I could go on and on about the friendliness of the people of Pakistan. I was able to exchange ideas and information with them on art and other topics of interest. When I had an exhibition of my work at the American Center in Islamabad, many people came and were very interested in the art I did during my stay in Pakistan. I also was invited by the principal of NCA to have another exhibition of my work at the school for all of the students and colleagues to see. Many responded that I was indeed influenced by images from popular culture, the ancient Indus Valley and the strong tradition of Miniature painting at NCA. I also was invited to give many guest lectures on my artwork at other institutions of higher education throughout Pakistan. Everywhere I went students and teachers were very enthusiastic about me being there.

It was also very special that a special Senior Fulbright Scholar was present during my stay. Dr.Marcella Sirhandi was a joy to experience Pakistan with for she wrote the book, Contemporary Painting in Pakistan and knew all the artists and sites in Lahore. I was truly honored by her presence and we became fast friends. We had many adventures together as well as with her wonderful family there. We actively took interest in the graduate program at NCA and contributed to many stimulating discussions with students and faculty as well. The gems of my trip were the students at NCA. They made my stay in Pakistan the best and being the main reason for my visit to Pakistan. They were a delight and so eager to share knowledge, laughter and friendship with. I still continue to email many of them and continue the dialogue on art and life.

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