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What a difference a Fulbright makes [.PDF]
 
Fulbright Scholar Stories
 

Eric Freedman

 

March 16, 2002

May 18, 2002

 

March 30, 2002

May 27, 2002

 

April 7, 2002

June 3, 2002

 

April 13, 2002

June 9, 2002

 

April 29, 2002

June 15, 2002

 

May 6, 2002

June 23, 2002

 

May 12, 2002

   

-- May 6, 2002 --

Hello everyone,

After four years in prison, Shodiv Mardiev doesn't look like a hero. He shuffles slowly to the microphone. Perhaps he's not in his late 60s as he appears. Perhaps his limp and gray hair and wrinkles are merely the toll he paid for surviving in what he calls a "cage." Perhaps they're the products of distress over his family's fate on the outside and depression over the bitterness he feels over being betrayed by the country he loves.

"All my life I worked for my country," he tells us.

Until May 3, World Press Freedom Day, Shodiv Mardiev was for me just a name without a face or voice, one of too many names on the troubling roster of Uzbek journalists who have been jailed, harassed or pushed into exile for pursuing their profession. All I knew was that almost exactly four months earlier, he had been freed under a presidential amnesty for some "political prisoners."

In 1998, Shodiv Mardiev was sentenced to 11 years in prison for criminal defamation based on a satirical story about corrupt local officials he aired on the Samarkand radio station where he worked.

Political? Anytime somebody dares poke fun at people in power, is their speech political? Is it a crime?

 

Now on this World Press Freedom Day he was in Tashkent, along with the ambassadors of the United States and Germany at Internews-Uzbekistan, a US-funded media assistance organization that trains journalists at 25 nongovernmental broadcast stations in the country.

The ambassadors brought strongly worded and welcome -- but predictable -- statements supporting press freedom and decrying censorship and self-censorship.

Shodiv Mardiev brought his soul.

"I'm so sorry my country abandoned their son and a reporter," he says in Uzbek. Interestingly, he distinguishes between the autocratic president, Islam Karimov, who he insists is doing his best to build Uzbekistan, and other officials who thwart Karimov's policies. (As if this president doesn't know the flight path of every sparrow.)

"Journalists are doing their best to go in line with the president's programs," he says. "I'm so surprised that some authorities try to twist the president's policies and put slander on journalists. I was the victim of such a slander."

 

Although Shodiv Mardiev is no longer in custody, he still seeks justice. He has unsuccessfully asked national and international officials to review his case and says, "If I did something really wrong, I agree to have more years in prison."

At the end, he reads a poem written in prison, "What Can I Do?" My favorite part: "My youth was lived in a hurricane. My pencil was my everlasting friend."

No, Shodiv Mardiev doesn't look like a hero.

#

Other Thoughts for World Press Freedom Day

"No journalist within Uzbekistan's borders should fear repercussions for writing critical material. They should not fear loss of employment, long prison sentences or threats to themselves or their close ones. Journalists in Uzbekistan should not experience pre-publication censorship from the State Committee for Post and Information or anticipate it and thus censor themselves from the truth, from writing critical material supporting opposing opinions." Josh Machleder, Country Director, Internews.

"We also remember the journalists who have been silenced." U.S. Ambassador John Herbst.

"We should pay key attention to protecting rights and freedom of people, guaranteeing them not in words but in real life. Guaranteeing people's freedom or speech and freedom of the press, which are closely connected with these problems, is also one of these topical tasks. No one would deny this." President Islam Karimov, 4 April 2002.

 

#

Capital tales

In America, a trip to Washington, D.C., is a high school mainstay. Photos on the steps of the Capitol. Waiting in lines at the Washington Monument and White House. Zigzagging from Smithsonian museum to Smithsonian museum, running up the steps at the Lincoln Memorial and jockeying among the crowds at Arlington, the Holocaust Museum and the dramatic memorials to Jefferson and FDR.

Not so in Uzbekistan, where many of my students from outside Tashkent - from "the regions" - had never been to their nation's capital city until they arrived for their university entrance exams.

The most ostentatious government building here is Oliy Majlis, their parliament. While I was on a recent afternoon walk from my flat, I headed there to see what I could see. It's a boxy building ringed by white pillars. The exterior walls appear to be of smoky glass so the pillars reflected in shades of burnt sand. As I approached, sunlight glistened on its blue dome and the national flag fluttered in the breeze.

 

The people of Uzbekistan don't visit Oliy Majlis to sightsee, tour the building, pose for pictures, admire the architecture or listen to political debate. There is no way to see applied civics. To the contrary, the building is off-limits to the public, and its sessions and committee meetings are generally even closed to the press. Of course, that's more efficient and less messy than democracy. It also makes life easier for the press, which can simply publish press releases and official statements.

As for debates, there aren't any serious ones. Uzbekistan has four legally recognized political parties, all of which support President Islam Karimov, who was last reelected with more than 90 percent of the vote in an election that the U.S. State Department called neither fair nor free. Even one of his rival candidates admitted voting for him. (Opposition parties are banned and their leaders are in exile.)

 

A vice-rector of my university is also an elected deputy to Oliy Majlis, so I'm trying to engineer a tour for some of my students and myself, even if we're not allowed to see the people's business being conducted, or orchestrated, or rubber-stamped..

A black metal fence surrounds the building, which sits in the middle of a scruffy, unmown lawn. On this quiet Sunday, the parking lot was empty and police stood bored near their guard posts. To me it appears a building without place, without setting, without context, without soul. My sense is that the building is a metaphor for what goes on - or doesn't go on - inside its walls. Glitter and fluff.

Behind Oliy Majlis is Alisher Navoi National Park, named in honor of the 15th-century writer who is considered Uzbekistan's greatest literary figure from an age long before Uzbekistan existed.

Despite its name, it's more like New York City's Central Park or the Boston Commons and Public Gardens than an American national park. No wilderness, no camping, no spectacular scenery. Instead, it's a place to picnic, rent a rowboat or paddleboat, swim (maybe the water is cleaner in the summer than now) and relax. A group of soldiers wearing camouflage uniforms loafed and ate ice cream. "Ah, the things you do" emanated from the sound system at the Bounty Café, perched on an artificial island in the park's artificial pond.

 

Interestingly, Navoi's statue doesn't face the nearby Oliy Majlis. If it did, perhaps some of his genius and creativity would rub off on the politicians inside.

For Whom the Competition Tolls

Q: Those of us from Michigan know about Ernest Hemingway's connection with our state and how his time in Petoskey and the Upper Peninsula influenced his writings. But what is his connection with Uzbekistan?

A: The annual countrywide Olympiad - like the Olympics of the Mind - for university students here. As part of the competition, about 50 rivals in the English-language division watched a quasi-documentary, "Michael Palin's Hemingway Adventure" in which Palin (the British ex-movie star of "Monty Python" fame) follows the author's trail through Montana and Idaho (experimenting at a dude ranch, chatting with hunters at a bar, watching a big-game taxidermist at work, looking at the hot springs of Yellowstone, spending a nightmarish night in the house where Hemingway committed suicide with a shotgun, and finally to his gravesite.

After the video, they had 20 minutes to write an essay. As one of the three judges - the others were an Italian-born American and a Scotland-born Uzbekistan resident who taught in Tasmania for 20 years - I found the results ranged from shabby to impressive. The dude ranch - with its horseback riding, a docile round-up and a lasso lesson - resonated with many students. I think that's because of the cowboy/Wild Wild West image many foreigners have about the United States.

Eric

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