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Fulbright Scholar Stories
 

Eric Freedman

 

March 16, 2002

May 18, 2002

 

March 30, 2002

May 27, 2002

 

April 7, 2002

June 3, 2002

 

April 13, 2002

June 9, 2002

 

April 29, 2002

June 15, 2002

 

May 6, 2002

June 23, 2002

 

May 12, 2002

   

-- March 30, 2002 --

Hello, everyone - An assortment of thoughts:

Saufi Mausoleum

Teachers: So often unappreciated. Bakhauddin (Decoration of Religion) Naqushband (Engraver of Metals) recognized that.

Naqshband was the 14th century founder of the Sufi movement, which incorporates spirituality with a practical approach to life: "May God be in your heart but may work be in your hands."

He is buried where he lived, not far outside the ancient Silk Road city of Bukhara. (A picture of his mausoleum is attached). Learned and wise, he insisted that he wasn't a saint and ordered his followers not to pray to him. He also instructed them, "First visit my mother, then my teacher, then me." Many visitors alighting from taxis and buses heed the first part of that directive as we did, walking dusty streets to his mother's house and tomb. Visitors - pilgrims - often bring empty plastic bottles to fill with the reputedly holy water that pours from spigots at the well.

 

But then they head directly to Naqushband's own shrine, mausoleum and adjoining mosque. There, many walk three times around a dead tree that lies on the ground and supposedly dates to Naqshband's lifetime. They tie ribbons or leave money for luck, and some pull out knives to slice off slivers of wood. Then most go home.

Teachers Mosque

So what about the teacher, his master Hazrat Saidd Amirkulol? I confess that we didn't go to this tomb second but we did go - unlike most other visitors. A 10-minute taxi ride took us to a small UFO-ish mosque of pale yellow with an olive-colored dome. (picture attached) Quiet. Uncrowded. Only one souvenir vendor, compared to dozens at the other sites. We entered the half-cellar, took off our shoes and sat on cushions in front of his tomb, which is covered with an embroidered cloth. A man read aloud from the Koran, we left some money and headed back into the sunshine.

Outside on a pole hangs a horsetail, a symbol of respect for teachers. So often unappreciated.

***

 

Ground Zero arrives in Tashkent

Ground Zero

An exhibition of almost 30 photographs by New York documentary photographer Joel Meyerowitz just opened at the new Tashkent Center of Contemporary Art. At the embassy's invitation, I brought a dozen students to the media preview and news conference (the first press conference most had attended), with U.S. Ambassador John Herbst and the photographer's studio manager, art historian Susan Jenkins - flanked by flags of the United States and Uzbekistan. (picture attached -- You only see the tops of their heads since the flags and photo are more dramatic.)

"After September 11: Images from Ground Zero" depicts life on the site in the weeks and months following the attacks. Girders scattered like pick-up sticks. Smoldering, smoking rubble. Police and firefighters. Construction workers and cranes. Reflections. Flags. The international wall of remembrance. Determination.

One thing that struck me when entering the high-ceiling white-walled gallery was the contrast between the modernity of the photographed buildings - glass and steel - with the classic Oriental shape of the museum's arch-topped widows and doorways. Old and new. In the pictures: the despair of an autumn of terror. Outside the window: leaves emerging on the trees, branches swaying slightly in the spring breeze. A week after Navrus ("New Day"), the national new year holiday that coincides with the first day of spring.

 

Incidentally, Meyerowitz's experience offers a lesson for journalists about perseverance. You recall that after the attacks, the area around the World Trade Center was blocked off as a crime scene - no press access, no photographs. Undeterred, he went beyond the lines and got thrown out but, in Herbst's words, "refused to allow the authorities to prevent this history from being recorded." Perseverance paid off, not only with stunning images but his winning sponsorship by the Museum of the City of New York and becoming the only photographer with unlimited access to Ground Zero.

***

The worlds we live in

Erick Schenkel, the director of the Central Asian-American Partnership for Academic Development, recently returned from business trips to Afghanistan and Switzerland. (His organization is a nongovernmental organization that partners with, among others, the Uzbek State World Languages University and Northeastern's School of Journalism. It provides my faculty office, photocopier and office phone and computer - yes, Windows 95 is still alive and well.) His observation: "There must be some middle ground between a country that combs each blade of grass and a country that eats the grass."

***

 

Press ethics: Who's watching?

I recently talked to about 15 English-language teachers at the National University. Their students are primarily in the sciences, math and social sciences. My topic: media ethics. I started with a hypothetical - an anti-government group phones you, a visiting foreign journalist, and says it will set off a bomb the next day in the marketplace. What do you do? The teachers' consensus was to immediately call the authorities, so we discussed the implications of doing so. I also distributed copies of the controversial, now-classic photo that a California paper published of a family grieving over the body of their young son, who had just drowned. The consensus was that no newspaper should publish such a picture - and I prodded them into a discussion of news values, privacy, taste and other considerations. Interestingly, one teacher in the back of the room remarked several times, "This doesn't matter to us. We're not journalists." I replied, "But you're all consumers of news" - customers of the media - so these types of issues do affect them. I doubt that I convinced her.

***

Student work

Attached are the results of a homework assignment for my feature-writing students. You might enjoy them, but don't believe everything you see in print.

Eric

Feature Writing

Near the end of my feature-writing course for third-year students, I had them conduct a group interview with me as the subject. To help overcome their reluctance to voluntarily participate, each had to prepare a question in writing, then exchange it with another student who would actually ask that question. They were to take notes during the interview. For homework, they were assigned to write the lead of a profile.
As you can see from the results, some wrote more than a lead, but the five that were handed in (from a class of 15) did show improvement in writing ability after six weeks. Remember, these students are not native English speakers. To give an accurate flavor of their style, I've corrected spelling and paragraphing but nothing else. You'll notice, for example, the frequent absence of articles - a, an, the - and some unusual word choices.
It's interesting to see what they chose to focus on, ignoring what may (in my mind) have been more intriguing for a lead, such as some of the ethics situations I've been involved in. But all of us have our own sense of news judgment.
Caveat: Some "facts" they wrote about are contradictory or inaccurate and some reflect misunderstanding, mishearing, misrecording or misremembering my answers. I hope that if their questions and my answers had been in Russian or Uzbek, the stories would have been more accurate.

 

Ann Gvordeva

Professor Eric Freedman - he is my english teacher in the university of Word Languages. Two years we asked our dean about good professional teacher from America but it was unanswered. And one day something interesting happened. The first time Mr. Freedman came to our lesson on February and at once gave us papers where we could write our timetable, what we would do every his lesson.
He looked very well. In my opinion he was about 44-46 years old. But sometime later I knew that Mr. Freedman was born in 1949 in Massachusetts and now he has 3 children.
In childhood he dreamed of becoming a lawyer but he became a journalist. But life changed his plans. Now he enjoys of his job. He likes to work with the students (only good students). He wants see them more successful and he wants to be useful for them. When I asked him a question, "Why did you go to Tashkent?" "A several reasons I have," answered Mr. Eric Freedman. "I like travelling and I think there are much interesting things in Uzbekistan and I would like to write about it. But it's a pity that I don't know a language. It is difficult to live here without having of Russian Uzbek languages."
Mr. Freedman worked in Australia, Ireland, much worked with American students, much traveling and wrote the articles.
I like my teacher. There are much interesting things I can write about him. All his lessons he spent very interesting and I wish more so teachers as Mr. Eric Freedman in our university."

Vasiliy Markov

 



He is a lawyer by education but he is a journalist by profession because of his ambitiousness: he likes his surname published in newspapers.
He has unusual silver marriage ring and buckle of his belt is always somewhere on his side. Traveling for joy he works and he uses his job for traveling for joy. He dislikes ties but he thinks he should wear them because Uzbekistan students will not perceive him as a teacher here if he does not.

Xristofor Karapetov

Eric Freedman feature writing teacher at University of World Languages was born November 14, 1949 in Brookline answered students questions about him and his. He wears extraordinary ring, he said it because he likes everything which is extraordinary. He has a lot of colored ties. He said that something made him change profession of lawyer to journalist and it was in university. He understood he wanted to work that job all my life.
Journalism is chance to see a part of the world for him. His favorite writers are John McPhee, Bernard Cornwall, J.R.R. Tolkien, Bill McWhirter, Chekov, Arthur Miller. He visited Australia, England, Ireland, Spain and now he is in Uzbekistan.
He don't know Russian, as he studied it one semester when he was a student. His lovely colors are blue and silver and he expects more from students.

Indira Khudabergehova

 



"I feel proud when my students publish good articles in press. I tell I was able to help them to become good journalists."
The bell rang. As usual, Eric Freedman, a professor of Michigan State University, who is a Fulbright lecturer at the Faculty of International Journalism of Uzbek State World Languages University now has come to the class in time.
A big rucksack, a bright tie (they say that a tie shows a personality of a man) make his exterior free and easy.
But there is an amazing combination of external naturalness and internal seriousness in this man. As it seems, this man doesn't like commonness, monotony, standardization - two rings on his hands, one on each one, are so original, especially the silver one on the ring finger of his right hand.
Who is this man, whose eyes radiate magnetism, who can predispose the students to himself by his natural appearance, who wears bright ties, but always talks about the very serious things? Why after getting the education of a lawyer and working as a lawyer for almost 20 years ("In my childhood I planned to be a lawyer") he suddenly decided to change his profession and to become a journalist? How could he won so many awards in journalism? What's the secret of his success?

Nigora Khashnova

 



He dresses very strange. He wears classical shirts, sport trousers with a belt on the left side. He has a very strange boots, which are usually worn when it rains and he wears very, very funny ties.
It seems that he flown in from another planet.
He has a grey hair and he is about 40, but skin on his face so smooth that he looks like the young man of about 25-30.
He has two rings, one on left and one on right hands, as if he married two times in this and another planet where he came from.

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